The strong historical influence of its shapes transports

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17.- Rakkas Rakkas Rakkas is a single-weight display typeface that supports both Arabic and Latin scripts. The two scripts share a united style, without pretending to be the other, and each stands out on its own. The Arabic design is inspired by the Ruq'ah letters on Egyptian movie posters from the 1950s and 1960s, and makes use of contextual alternatives to emulate calligraphy. It offers different shapes for many letter positions and cascades vertically, giving the user the opportunity to play around. 18.- Side Lato Lato is a sans serif typeface family developed in the summer of 2010 by designer Warsawukasz Dziedzic. When working on Lato, an attempt was made to carefully balance some of the potentially conflicting priorities. To do this, the idea was to create a typeface that would appear rather " transparent " when used in body text, but would show some original features when used at larger sizes.


19.- April FatFace April FatFace Abril Fatface is part crypto investors email database of a larger family that includes 18 styles for all Screen and Text uses. The titling weights are a contemporary revamp of Didone's classic styles. They display neutrality and have a strong presence on the page to attract the reader's attention with the tension measured by their curves, good color and high contrast . Precisely, these are the characteristics that make this typeface one of the best Google Fonts to use on your landing pages. 20.- Open Sans Open Sans Open Sans is a humanistic sans serif typeface designed by Steve Matteson, Type Director at Ascender Corp. This version contains the full character set, a total of 897. Open Sans was designed with vertical tension, open forms, and a neutral yet friendly appearance. It was optimized for print, web, and mobile interfaces, and has excellent readability characteristics in its letterforms.